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Ingres - It was you who did it?
Delacroix - This is the geometry that we put together?
I - Ah, yes, the triangle.
D - Still s'applatit than yours!
I - How? It imposes! It's divine!
D - Yeah, and you relegate women to the male's feet, imploring, pale ...
I - you and Ben? Who put the hair under the arms of freedom! You throw in food so high an opinion to the mob! Where is soaring, the sublime must transcend our base passions and give us to understand that must be governed! If that's the revolt ...
- This is realism. This is an injunction, not just an impulse, a citizens! And you! you think it's looking straight in the eye and say we needed the truth? it shows nothing but your colors! How kitsch!
I - And you my two romantic! with your black, your red, your gold (gold! is strong for a poulbot like you!), outlines your crazy, your enthusiasm, your vibrations (but I admit we almost hear the sound of cannons and cries of the crowd) ...
D - And you Academician, hemmed with your chubby black history would have us believe that the design is not flat and your trompe l'oeil clouds that hide also not the lack of prespective (I recognize that here, you fucking dare) ... It is overexposed your thing! I
- Ben your machine is pretty candle-lit!
D - But how can we believe that Thetis begs Zeus? It seems rather that it makes guiliguili ... is a naive!
I - It's sensual beauty and pure and true snapshot of the action captured on the fly.
D - Morne statue, I'd say. And then you copy wrong ... it was so poorly done your little plaster which reproduced the original museum in Naples?
I - Copy! copy! And you there, your freedom profile, with his shoulder and his arm falling up! Who do you think you copied: Me, of course! And ridiculous, I had a live model!
D - We have it restored both the curves of her hip!
I - mmmmmm .... I like yours stands out as the plume of smoke ...
D - Me too ...
I - You almost want to ask them to hand over to feel the silk of her skin ...
D - You see, Academician! I've had with my modern painting!
I - because there is already modern in my picture!
D - (taking him by the arm) ... In fact, you believe in heroic nudity ...
I - (the Emene to the buffet) ... not before January Gossaert ...

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context-free II

P ar ontogenetic generally refers to the origin and development of the individual as a special case of its kind, which then focuses a beam of more singular biological forces, social and psychological.

O r these forces "arrived" ultimately the entire universe, then this convergence takes herself in hand from his property deprivation: the concatenation, or rather this condensation the infinite complexity pulled himself together since the zero of ignorance ...

O No appeal could ontology the study of how the individual most especially embodies the whole universe, how it embodies a radical solidarity of destiny universal plan. More tragically, by what personally, it is to unravel the tangle of complexity "local", which is an enigma to the being who must assume.

I is the course we do not confuse with the metaphysical or phenomenological ontology, although she has the breadth of meaning. Maybe he should then call ontonomie since the law on individual premium of course any other law, in its universality property. In a word, follow his path, his destiny to marry.

J argonisant for pleasure we call retro- the rise in the causal chains, for their outcome, and why not speak of a labyrinthine as the set of techniques that can assist us in this aspiration, including of course the reason there is a simple compass?

• what such a reverse engineering ?.
• distinguish the convergence divergence of its constituent detail:: resolve the
• the error is still a way to find: wise madness crazy wisdom ...

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Text Elisa. Text

.


Here is the text written by Elisa from the ink of Marie-Lydie Joffre

Magnolia Botanical Gardens in Paris. October 4, 2010

Drawing on the ground in India ink and reed pen

When I saw 'Magnolia'. I was a little angry against you, for me stole the image of "my Magnolia for me." I cherish so much in bloom, I've wanted you for these branches and proliferation of direct and supported so strongly planted wide mass pushing so fast and so right ... And then there was the meeting with other traits. First, a branch that surprises you because it seems to have wanted to add there. What does she mean? Is accompanied by other of his fellows? And what do they say ... It grows there in the middle and opposite at the same time, conversely, despite all logic, she moved there so eagerly, in a tone so peremptory, vindictive, force or pain, women ...? She breathes ... ? Looks like she has a tired, or while in meditation, a being or spirituality, philosophy, something to say about trees and how they grow, they need to live and enjoy life, grow flowers on their chests when they are back ... with a root-or-rooted? Is this a child on her lap, or a figment of my imagination, his ...

And the other who is born of something that wants to branch, leaf, bird, wind and horizon at a time ...

And then another, growing into two curves, two parallel lines that I recognize, finally, I guess while acknowledging. It tells the story of your other paintings, a different idea of beauty, which always goes with my smile ...

And these leaves behind, appeared to want say, 'I'm a tree', but these seem to me to be born of something far more elusive, perhaps the wind which carries with it other branches, or maybe a cape, hair-branches woman floating there.

We understand better why the first industries stand together with such force that their breath inside, with so much to say. I'm

magnolias more quiet than that! ;-))

Anyway, I do watch them the same way ...

Elisa.







Learn more about the drawings L. Joffre, realized Jardin des Plantes in Paris
meeting of October 4, 2010
meeting of October 6, 2010

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Daily Show imaginary unimportant ...

I had a very good evening with the series CSI: Las Vegas . Once we arrived at the blue light, three-tone below that of a lamp (labor, Bedside), indicating that we were about to witness the autopsy of severe anatomical details Suréalistes and more alive than dead or experience that kills worms to fly-to-gadfly to cicadas and other sarcophagi and generally to two-thirds of the way the ball revolver that massacred the spleen, the aorta and a piece kidney before freeze, stupid as it was in a corner of the vertebra and hypnotized by the special effects explosion organ ... I fell asleep. They were also the explanatory speech in which the scientist was leaving and the undertaker in question immutable and how?
Me holding large enough to address other topics and tired of dozing off just before the 15th minute, I changed the genre: the debate of ideas. I see you already come. Last week, it spoke of "doing politics today" or something like that. Yesterday was about the last book of Umberto Eco (Cimitero di Praga It ... no, no, do not laugh) with Umberto Eco! brief opportunity not to be missed. I got lost between the Protocol of Zion, the Masons (Franks them) and before ... just to remember - and not dream, at least not yet - that many things in human history are based on FALSE. But then, what they talked, talked, talked to strength and how to explain it?



NB I know ... I often refile the image. The book comes out.