Shaving And Cauterising

portraits


The nineteenth century also exercised the Portrait , starting with the self-portrait, this capture of self at different times of life as to score in the stillness of the table passing time, life short, but also from looking for the soul, the impalpable spirit that shines wards of the artist, the artist in search of the genius of his poetry.

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Thank you all for your shot to shoot this year.

We really appreciate your contribution to our trip which helps us a lot during hard shots.

This is 6 years now, we're out of Chatellerault and only (no Stani) back to see my niece Cindy. I am very glad she remained with us. It was worth the detour. I do not believe in God, and although I almost believe it.

We miss you all.

Back in 4 or 5 or 6 years old?

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Orientalism

A. Cabanel Phedre

art images. The academic meeting east. The artists travel the Maghreb and Egypt, not brush in hand, but camera shoulder. And as the photos were in black and white, it had to go there to capture all that same color or colors that say the east, such as green enamel. After everything was a shop work, drag the brush on the canvas that remains only this snapshot, this dramatic, this passion. This reminds me of some lineaments of the art of the 30s. Between

, there is the art "fire", a Gérôme, and do not say you have not seen reproductions of his paintings in your history books, or Bouguereau .

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Merry Christmas and Happy New Year to you all.

Whatever you silk or no matter what you do, have fun and not hurting nobody.

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Ingres - It was you who did it?
Delacroix - This is the geometry that we put together?
I - Ah, yes, the triangle.
D - Still s'applatit than yours!
I - How? It imposes! It's divine!
D - Yeah, and you relegate women to the male's feet, imploring, pale ...
I - you and Ben? Who put the hair under the arms of freedom! You throw in food so high an opinion to the mob! Where is soaring, the sublime must transcend our base passions and give us to understand that must be governed! If that's the revolt ...
- This is realism. This is an injunction, not just an impulse, a citizens! And you! you think it's looking straight in the eye and say we needed the truth? it shows nothing but your colors! How kitsch!
I - And you my two romantic! with your black, your red, your gold (gold! is strong for a poulbot like you!), outlines your crazy, your enthusiasm, your vibrations (but I admit we almost hear the sound of cannons and cries of the crowd) ...
D - And you Academician, hemmed with your chubby black history would have us believe that the design is not flat and your trompe l'oeil clouds that hide also not the lack of prespective (I recognize that here, you fucking dare) ... It is overexposed your thing! I
- Ben your machine is pretty candle-lit!
D - But how can we believe that Thetis begs Zeus? It seems rather that it makes guiliguili ... is a naive!
I - It's sensual beauty and pure and true snapshot of the action captured on the fly.
D - Morne statue, I'd say. And then you copy wrong ... it was so poorly done your little plaster which reproduced the original museum in Naples?
I - Copy! copy! And you there, your freedom profile, with his shoulder and his arm falling up! Who do you think you copied: Me, of course! And ridiculous, I had a live model!
D - We have it restored both the curves of her hip!
I - mmmmmm .... I like yours stands out as the plume of smoke ...
D - Me too ...
I - You almost want to ask them to hand over to feel the silk of her skin ...
D - You see, Academician! I've had with my modern painting!
I - because there is already modern in my picture!
D - (taking him by the arm) ... In fact, you believe in heroic nudity ...
I - (the Emene to the buffet) ... not before January Gossaert ...